In a few words: A band of friends and colleagues. Each one with his own talents, but sharing the same passion. Music. All of them, talented musicians and demanding performers, aware of their “on stage” needs and sound engineering problems, having a vast experience in existing sound pickup solutions and completely – or even partially – unsatisfied by the already existing pickup technology. (…) So, the story began as a need. A need for a transparent, clean, amplified, “on stage” sound. A sound that would resemble accurately and be easily comparable to a microphone sound, but without the microphone’s inherent problems. A pickup system, capable to adjust in every particular “on stage” circumstance and need, bringing only the best in sound clarity and response. Someone pointed out the idea, someone inspired the realization of a dream to come true and of course there is the other one that is skilled enough to the art to handle such a challenge. The first attempt triggered the beginning of an obsession, followed by experiments, innovative concepts, consistent research, extensive laboratory tests, recordings, side by side “on stage” tests, until the final result:
The RMacoustics pickup systems and three worldwide patents.